Пісня над піснями 1:5

The bride's love to her spouse, Sol 1:1-5. She conffieuses her unworthiness; desires to be directed to the flock, Sol 1:6, Sol 1:7; and she is directed to the shepherds' tents, Sol 1:8. The bridegroom describes his bride, and shows how he will provide for her, and how comfortably they are accommodated, Sol 1:9-17.

(CANTICLE I)--THE BRIDE SEARCHING FOR AND FINDING THE KING. (Son. 1:2-2:7) The song of songs--The most excellent of all songs, Hebrew idiom (Exo 29:37; Deu 10:14). A foretaste on earth of the "new song" to be sung in glory (Rev 5:9; Rev 14:3; Rev 15:2-4). Solomon's--"King of Israel," or "Jerusalem," is not added, as in the opening of Proverbs and Ecclesiastes, not because Solomon had not yet ascended the throne [MOODY STUART], but because his personality is hid under that of Christ, the true Solomon (equivalent to Prince of Peace). The earthly Solomon is not introduced, which would break the consistency of the allegory. Though the bride bears the chief part, the Song throughout is not hers, but that of her "Solomon." He animates her. He and she, the Head and the members, form but one Christ [ADELAIDE NEWTON]. Aaron prefigured Him as priest; Moses, as prophet; David, as a suffering king; Solomon, as the triumphant prince of peace. The camp in the wilderness represents the Church in the world; the peaceful reign of Solomon, after all enemies had been subdued, represents the Church in heaven, of which joy the Song gives a foretaste.

In this chapter, after the general title of the book, Sol 1:1, the church expresses her strong desires, and most ardent wishes, for some fresh discoveries of the love of Christ to her, and for communion with him; having tasted of his love, smelt a sweet savour in his grace, and enjoyed fellowship with him in his house, Sol 1:2. She observes her blackness and uncomeliness in herself; the trials and afflictions she met with from others; and her carelessness and negligence of her own affairs, Sol 1:5; and entreats her beloved to direct her where she might meet with him, feeding his flocks, and giving them rest, to which he returns a kind and gracious answer; gives her proper instructions where to find him, Sol 1:7; and commends her beauty; sets forth her amiableness and loveliness, by various metaphors; and makes promises of more grace and good things to her, Sol 1:9. And then she declares what a value she had for Christ, her beloved; and how precious he was unto her, like a bundle of myrrh, and a cluster of camphire, Sol 1:12. Christ again praises her beauty; and particularly takes notice of her eyes, and her modest look, Sol 1:15; and she returns the encomium back to him, and expresses her pleasure and satisfaction in the house he had built for her, and the furniture of it, Sol 1:16.

1:5-11 If the Song is a three-character drama and the shepherd is her lover, the couple was apart while she was in the king’s palace, and in this passage she wants to be sure of where to find him when she leaves there. On two occasions, she is frantic about losing him again (3:1-4; 5:2-8). At other times, her concern is more subtle (2:14). 1:5-6 The woman’s dark skin color has nothing to do with her race; her complexion has been darkened by the sun. Even so, she retains her self-respect and asserts her beauty. She is wholesome-looking from tending vineyards and goats (see also 1:8). • Solomon had caretakers of his fields, vineyards, herds, and flocks; the herders lived in dark goats’-hair tents.