Exodus 26:19
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with forty silver bases under the twenty frames—two bases for each frame, one under each tenon.
Commentaries
Excerpts gathered from published commentaries to ground the reading.
(cf. Ex 36:8-38). The Dwelling-Place. - This was to be formed of a framework of wood, and of tapestry and curtains. The description commences with the tapestry or tent-cloth (Exo 26:1-14), which made the framework (vv. 15-30) into a dwelling. The inner lining is mentioned first (Exo 26:1-6), because this made the dwelling into a tent (tabernacle). This inner tent-cloth was to consist of ten curtains (יריעת, αὐλαίαι), or, as Luther has more aptly rendered it, Teppiche, pieces of tapestry, i.e., of cloth composed of byssus yarn, hyacinth, purple, and scarlet. משׁזר twisted, signifies yarn composed of various colours twisted together, from which the finer kinds of byssus, for which the Egyptians were so celebrated, were made (vid., Hengstenberg, Egypt, pp. 139ff.). The byssus yarn was of a clear white, and this was woven into mixed cloth by combination with dark blue, and dark and fiery red. It was not to be in simple stripes or checks, however; but the variegated yarn was to be woven (embroidered) into the white byssus, so as to form artistic figures of cherubim ("cherubim, work of the artistic weaver, shalt thou make it"). חשׁב מעשׂה (lit., work or labour of the thinker) is applied to artistic weaving, in which either figures or gold threads (Exo 28:6, Exo 28:8, Exo 28:15) are worked into the cloth, and which is to be distinguished from רקם מעשׂה variegated weaving (Exo 26:36).
Open source ↗Moses here receives instructions, I. Concerning the inner curtains of the tent or tabernacle, and the coupling of those curtains (Exo 26:1-6). II. Concerning the outer curtains which were of goats' hair, to strengthen the former (Exo 26:7-13). III. Concerning the case or cover which was to secure it from the weather (Exo 26:14). IV. Concerning the boards which were to be reared up to support the curtains, with their bars and sockets (v. 15-30). V. The partition between the holy place and the most holy (Exo 26:31-35). VI. The veil for the door (Exo 26:36, Exo 26:37). These particulars, thus largely recorded, seem of little use to us now; yet, having been of great use to Moses and Israel, and God having thought fit to preserve down to us the remembrance of them, we ought not to overlook them. Even the antiquity renders this account venerable.
Open source ↗26:19 Apparently each of the bases stood beneath the junction where the frames met. The right peg of one frame and the left peg of the next frame went into one base. Along with the crossbars (26:27-28), this arrangement would contribute to the stability of the whole.
Open source ↗Original language
The Hebrew and Greek words behind this passage, with Strong's numbers — from openscriptures (CC BY-SA).
Cross-references
Other passages the community most often connects to this one. Tap to read.
The hundred talents of silver were used to cast the bases of the sanctuary and the bases of the veil—100 bases from the 100 talents, one talent per base.
When Moses set up the tabernacle, he laid its bases, positioned its frames, inserted its crossbars, and set up its posts.
The duties assigned to the sons of Merari were the tabernacle’s frames, crossbars, posts, bases, and all its equipment—all the service for these items,
So there are to be eight frames and sixteen silver bases—two under each frame.
His legs are pillars of marble set on bases of pure gold. His appearance is like Lebanon, as majestic as the cedars.
with twenty posts and twenty bronze bases, and silver hooks and bands on the posts.
Make five posts of acacia wood for the curtain, overlay them with gold hooks, and cast five bronze bases for them.