Exodus 26:1

(cf. Ex 36:8-38). The Dwelling-Place. - This was to be formed of a framework of wood, and of tapestry and curtains. The description commences with the tapestry or tent-cloth (Exo 26:1-14), which made the framework (vv. 15-30) into a dwelling. The inner lining is mentioned first (Exo 26:1-6), because this made the dwelling into a tent (tabernacle). This inner tent-cloth was to consist of ten curtains (יריעת, αὐλαίαι), or, as Luther has more aptly rendered it, Teppiche, pieces of tapestry, i.e., of cloth composed of byssus yarn, hyacinth, purple, and scarlet. משׁזר twisted, signifies yarn composed of various colours twisted together, from which the finer kinds of byssus, for which the Egyptians were so celebrated, were made (vid., Hengstenberg, Egypt, pp. 139ff.). The byssus yarn was of a clear white, and this was woven into mixed cloth by combination with dark blue, and dark and fiery red. It was not to be in simple stripes or checks, however; but the variegated yarn was to be woven (embroidered) into the white byssus, so as to form artistic figures of cherubim ("cherubim, work of the artistic weaver, shalt thou make it"). חשׁב מעשׂה (lit., work or labour of the thinker) is applied to artistic weaving, in which either figures or gold threads (Exo 28:6, Exo 28:8, Exo 28:15) are worked into the cloth, and which is to be distinguished from רקם מעשׂה variegated weaving (Exo 26:36).

I. The house must be a tabernacle or tent, such as soldiers now use in the camp, which was both a mean dwelling and a movable one; and yet the ark of God had not better, till Solomon built the temple 480 years after this, Kg1 6:1. God manifested his presence among them thus in a tabernacle, 1. In compliance with their present condition in the wilderness, that they might have him with them wherever they went. Note, God suits the tokens of his favour, and the gifts of his grace, to his people's wants and necessities, according as they are, accommodating his mercy to their state, prosperous or adverse, settled or unsettled. When thou passest through the waters, I will be with thee, Isa 43:2. 2. That it might represent the state of God's church in this world, it is a tabernacle-state, Psa 15:1. We have here no continuing city; being strangers in this world, and travellers towards a better, we shall never be fixed till we come to heaven. Church-privileges are movable goods, from one place to another; the gospel is not tied to any place; the candlestick is in a tent, and may easily be taken away, Rev 2:5. If we make much of the tabernacle, and improve the privilege of it, wherever we go it will accompany us; but, if we neglect and disgrace it, wherever we stay it will forsake us. What hath my beloved to do in my house? Jer 11:15. II. The curtains of the tabernacle must correspond to a divine pattern. 1. They were to be very rich, the best of the kind, fine twined linen; and colours very pleasing, blue, and purple, and scarlet. 2. They were to be embroidered with cherubim (Exo 26:1), to intimate that the angels of God pitch their tents round about the church, Psa 34:7. As there were cherubim over the mercy-seat, so there were round the tabernacle; for we find the angels compas…

26:1-37 The Tabernacle proper (as distinct from the surrounding courtyard) was not very large. It was approximately 15 feet wide and 45 feet long. The supporting framework consisted of 48 vertical frames, 15 feet high and 27 inches wide (26:16). They were made of acacia wood overlaid with gold (26:15, 29). The frames were locked together with horizontal crossbars to form a three-sided rectangle with an open end (26:26-28). Two large linen curtains (each composed of five smaller ones) were then linked together into one and draped across the top of this framework. The combined total was long enough to hang down on the sides and rear (26:1-6), forming coverings for the walls as well as the roof. Over the linen curtain was draped a curtain of goat-hair cloth constructed in the same way. It was three feet wider and six feet longer than the linen curtain (26:7-13), so that it hung down further than the linen curtain on all sides. Over these two curtains were two protective coverings, one of tanned ram skins and one of fine goatskin leather (26:14). The space so enclosed was divided in two with another beautifully embroidered curtain hanging crosswise on four posts of acacia wood. The resulting two spaces were the Holy Place and the Most Holy Place (26:31-33).