Richter 5:21

The kings of Canaan could do nothing against these powers. They were smitten; the brook Kishon washed them (i.e., their corpses) away. The meaning "to wash away" is well established by the dialects and the context, though the verb itself only occurs here. As the battle was fought between Taanach and Megiddo, i.e., to the south of the brook Kishon, and the smitten foe fled towards the north, many of them met with their death in the waves of the brook, which was flowing over its banks at the time. The brook is called קדוּמים נחל, i.e., the brook of the old world or the olden time (according to the lxx Cod. Vat. χειμάῤῥους ἀρχαίων), as the stream that had been flowing from time immemorial, and not, as the Chaldee interprets it, the stream that had been celebrated from olden time on account of the mighty acts that had been performed there. The meaning suggested by Ewald and others, "brook of attacks, or slaughters," is not well sustained, although קדּם is sometimes used to denote a hostile encounter. The last clause interrupts the description of the slaughter and the victory. Borne away by the might of the acts to be commemorated, Deborah stimulates her soul, i.e., herself, to a vigorous continuation of her song. תּדרכי is jussive, and עז an accusative governed by the verb, in strength, vigorously; for she had still to celebrate the glorious results of the victory. This is done in the third part of the song (Jdg 5:22-31), the first strophe of which (Jdg 5:22-24) describes in brief drastic traits the flight of the foe, and the treatment of the fugitives by the people of the land.

This chapter contains the triumphal song which was composed and sung upon occasion of that glorious victory which Israel obtained over the forces of Jabin king of Canaan and the happy consequences of that victory. Probably it was usual then to publish poems upon such occasions, as now; but this only is preserved of all the poems of that age of the judges, because dictated by Deborah a prophetess, designed for a psalm of praise then, and a pattern of praise to after-ages, and it gives a great deal of light to the history of these times. I. It begins with praise to God (Jdg 5:2, Jdg 5:3). II. The substance of this song transmits the memory of this great achievement. 1. Comparing God's appearances for them on this occasion with his appearances to them on Mount Sinai (Jdg 5:4, Jdg 5:5). 2. Magnifying their deliverance from the consideration of the calamitous condition they had been in (Jdg 5:6-8). 3. Calling those to join in praise that shared in the benefits of the success (Jdg 5:9-13). 4. Reflecting honour upon those tribes that were forward and active in that war, and disgrace on those that declined the service (Jdg 5:14-19, Jdg 5:23). 5. Taking notice how God himself fought for them (Jdg 5:20-22). 6. Celebrating particularly the honour of Jael, that slew Sisera, on which head the song is very large (Jdg 5:24-30). It concludes with a prayer to God (Jdg 5:31).