Vertiefung

Richter 5:19

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Die Könige kamen und stritten; da stritten die Könige der Kanaaniter zu Taanach am Wasser Megiddo. Beute in Silber machten sie nicht.

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Keil-Delitzsch Old Testament CommentaryV. 19

19 Kings came, ... they fought; The kings of Canaan fought At Taanach, at the waters of Megiddo. A piece of silver they did not take. 20 From heaven they fought, The stars from their courses fought against Sisera. 21 The brook of Kishon swept them away, The brook of the olden time, the brook Kishon. Go on, my soul, in strength! The advance of the foe is described in few words. Kings came on and fought. They were the kings of Canaan, since Jabin, like his ancestor (Jos 11:1.), had formed an alliance with other kings of northern Canaan, who went to the battle under the command of Sisera. The battle took place at Taanach (see at Jos 12:21), by the water of Megiddo, the present Lejun (see at Jos 12:21), i.e., by the brook Kishon (cf. Jdg 4:7). Taanach and Megiddo were not quite five miles apart, and beside and between them there were several brooks which ran into the southern arm of the Kishon, that flowed through the plain to the north of both these towns. The hostile kings went into the battle with the hope of slaying the Israelites and making a rich capture of booty. But their hopes were disappointed. They could not take with them a piece of silver as booty. בּצע, which generally signifies booty or gain, is probably to be taken here in its primary sense of frustum, from בּצע, to cut off or cut in pieces, a "piece of silver," equivalent to a single piece of valuable booty.

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Matthew Henry Bible CommentaryV. 19

This chapter contains the triumphal song which was composed and sung upon occasion of that glorious victory which Israel obtained over the forces of Jabin king of Canaan and the happy consequences of that victory. Probably it was usual then to publish poems upon such occasions, as now; but this only is preserved of all the poems of that age of the judges, because dictated by Deborah a prophetess, designed for a psalm of praise then, and a pattern of praise to after-ages, and it gives a great deal of light to the history of these times. I. It begins with praise to God (Jdg 5:2, Jdg 5:3). II. The substance of this song transmits the memory of this great achievement. 1. Comparing God's appearances for them on this occasion with his appearances to them on Mount Sinai (Jdg 5:4, Jdg 5:5). 2. Magnifying their deliverance from the consideration of the calamitous condition they had been in (Jdg 5:6-8). 3. Calling those to join in praise that shared in the benefits of the success (Jdg 5:9-13). 4. Reflecting honour upon those tribes that were forward and active in that war, and disgrace on those that declined the service (Jdg 5:14-19, Jdg 5:23). 5. Taking notice how God himself fought for them (Jdg 5:20-22). 6. Celebrating particularly the honour of Jael, that slew Sisera, on which head the song is very large (Jdg 5:24-30). It concludes with a prayer to God (Jdg 5:31).

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