Klagelieder 2:22
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Wie zu einem Festtage hast du alles, was ich fürchtete, von allen Seiten zusammengerufen, und es ist am Tage des Zornes des HERRN niemand entronnen noch übriggeblieben; was ich gepflegt und großgezogen hatte, das vertilgte mein Feind!
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The imperf. תּקרא has perhaps bee chosen merely for the sake of the alphabetic arrangement, because the description is still continued, and the idea of custom (wont) or repetition is not very suitable in the present instance. "Thou summonest, as for a feast-day (viz., for the enemy, cf. Lam 1:15), all my terrors round about." מגוּרי מסּביב is to be explained in conformity with the formula מגור מסּביב, so frequent in Jeremiah (Jer 6:25; Jer 20:4, Jer 20:10, etc.): מגוּרי is therefore to be derived from מגור, but not to be confined in its reference to the enemy (as in the Vulgate, qui terrent); it is rather to be understood as applying to all the terrible powers that had come upon Judah, - sword, famine, plagues (cf. Lam 1:20). On the ground that מגוּרים elsewhere means wandering, pilgrimage, and that, moreover, the sing. מגור in Psa 55:16 signifies a dwelling, Ewald translates the expression in the text, "my hamlets round about," understanding by that the inhabitants of the defenceless country towns and villages, which stand to the capital that gave them its protection in the relation of settlers in its neighbourhood (lxx πάροικοι). According to this view, the verse alludes to an important event which took place in those days of the siege, when all the inhabitants of the country towns fled to the capital, thinking that a great festival was going to be held there, as on former occasions; but this became at last for them the great festival of death, when the city was taken. But the translation of the lxx is of no authority, since they have given a false rendering of מגור מסּביב also; and the whole explanation is so artificial and unnatural, that it needs no further refutation. Raschi, indeed, had previously explained מגוּרי to mean שכיני, vicinos meos, but added improbos,…
Quelle öffnen ↗The second alphabetical elegy is set to the same mournful tune with the former, and the substance of it is much the same; it begins with Ecah, as that did, "How sad is our case! Alas for us!" I. Here is the anger of Zion's God taken notice of as the cause of her calamities (Lam 2:1-9). II. Here is the sorrow of Zion's children taken notice of as the effect of her calamities (Lam 2:10-19). III. The complaint is made to God, and the matter referred to his compassionate consideration (Lam 2:20-22). The hand that wounded must make whole.
Quelle öffnen ↗2:22 calling them to a day of feasting: The poet compares Jerusalem’s destruction to an invitation to a banquet at which war, famine, wild animals, and sickness would feast on the wicked in Jerusalem (Deut 28:15-68; cp. Rev 19:17-21).
Quelle öffnen ↗Querverweise
Andere Stellen, die die Gemeinschaft am häufigsten mit dieser verbindet. Zum Lesen antippen.
Ich bin in Vergessenheit geraten, aus dem Sinn gekommen wie ein Toter; ich bin wie ein unbrauchbares Gefäß.
Gehe ja nicht aufs Feld hinaus und betritt die Straße nicht! Denn des Feindes Schwert verbreitet Schrecken ringsum.
Und es begab sich am andern Morgen, als Paschhur Jeremia aus dem Stock freiließ, da sprach Jeremia zu ihm: Nicht Paschhur nennt dich der HERR, sondern Magor-Missabib!
Verflucht wird sein die Frucht deines Leibes, die Frucht deines Landes, der Wurf deiner Rinder und die Zucht deiner Schafe.
Warum sehe ich sie so erschrocken zurückweichen? Ihre Helden sind geschlagen, sie fliehen, daß keiner hinter sich sieht; Schrecken ringsum! spricht der HERR.