Psalmen 104:5

In a second decastich the poet speaks of the restraining of the lower waters and the establishing of the land standing out of the water. The suffix, referring back to ארץ, is intended to say that the earth hanging free in space (Job 26:7) has its internal supports. Its eternal stability is preserved even amidst the judgment predicted in Isa 24:16., since it comes forth out of it, unremoved from its former station, as a transformed, glorified earth. The deep (תּהום) with which God covers it is that primordial mass of water in which it lay first of all as it were in embryo, for it came into being ἐξ ὕδατος καὶ δι ̓ ὕδατος (Pe2 3:5). כּסּיתו does not refer to תהום (masc. as in Job 28:14), because then עליה would be required, but to ארץ, and the masculine is to be explained either by attraction) according to the model of Sa1 2:4), or by a reversion to the masculine ground-form as the discourse proceeds (cf. the same thing with עיר Sa2 17:13, צעקה Exo 11:6, יד Eze 2:9). According to Psa 104:6, the earth thus overflowed with water was already mountainous; the primal formation of the mountains is therefore just as old as the תהום mentioned in direct succession to the תהו ובהו. After this, Psa 104:7 describe the subduing of the primordial waters by raising up the dry land and the confining of these waters in basins surrounded by banks. Terrified by the despotic command of God, they started asunder, and mountains rose aloft, the dry land with its heights and its low grounds appeared. The rendering that the waters, thrown into wild excitement, rose up the mountains and descended again (Hengstenberg), does not harmonize with the fact that they are represented in Psa 104:6 as standing above the mountains. Accordingly, too, it is not to be interpreted after Psa 107:26 : they (…

It is very probable that this psalm was penned by the same hand, and at the same time, as the former; for as that ended this begins, with "Bless the Lord, O my soul!" and concludes with it too. The style indeed is somewhat different, because the matter is so: the scope of the foregoing psalm was to celebrate the goodness of God and his tender mercy and compassion, to which a soft and sweet style was most agreeable; the scope of this is to celebrate his greatness, and majesty, and sovereign dominion, which ought to be done in the most stately lofty strains of poetry. David, in the former psalm, gave God the glory of his covenant-mercy and love to his own people; in this he gives him the glory of his works of creation and providence, his dominion over, and his bounty to, all the creatures. God is there praised as the God of grace, here as the God of nature. And this psalm is wholly bestowed on that subject; not as Psa 19:1-14, which begins with it, but passes from it to the consideration of the divine law; nor as Psa 8:1-9, which speaks of this but prophetically, and with an eye to Christ. This noble poem is thought by very competent judges greatly to excel, not only for piety and devotion (that is past dispute), but for flight of fancy, brightness of ideas, surprising turns, and all the beauties and ornaments of expression, the Greek and Latin poets upon any subject of this nature. Many great things the psalmist here gives God the glory of I. The splendour of his majesty in the upper world (Psa 104:1-4). II. The creation of the sea and the dry land (Psa 104:5-9). III. The provision he makes for the maintenance of all the creatures according to their nature (Psa 104:10-18, Psa 104:27, Psa 104:28). IV. The regular course of the sun and moon (Psa 104:19-24). V. The furnitur…