القضاة ٥:٢٦
تأمّل عميق بلغةٍ واضحة على هذه الآية. اقرأ الأصحاح
مَدَّتْ يَدَهَا إِلَى الْوَتَدِ، وَيَمِينَهَا إِلَى مِضْرَابِ الْعَمَلَةِ، وَضَرَبَتْ سِيسَرَا وَسَحَقَتْ رَأْسَهُ، شَدَّخَتْ وَخَرَّقَتْ صُدْغَهُ.
التفاسير
مقتطفات جُمعت من تفاسير منشورة لترسيخ القراءة.
"Her hand," i.e., the left hand, as is shown by the antithesis, "her right hand," which follows. On the form תּשׁלחנה, the third pers. fem. sing. with נה attached, to distinguish it the more clearly from the second pers., see the remarks on Exo 1:10. עמלים הלמוּת, hammer or mallet of the hard workers, is a large heavy hammer. For the purpose of depicting the boldness and greatness of the deed, the words are crowded together in the second hemistich: הלם, to hammer, or smite with the hammer; מחק, ἁπ. λεγ., to smite in pieces, smite through; מחץ, to smite or dash in pieces; חלף, to pierce or bore through. The heaping up of the words in Jdg 5:27 answers the same purpose. They do not "express the delight of a satisfied thirst for revenge," but simply bring out the thought that Sisera, who was for years the terror of Israel, was now struck dead with a single blow. כּרע בּאשׁר, at the place where he bowed, there he fell שׁדוּד, overpowered and destroyed. In conclusion, the singer refers once more in the last strophe (Jdg 5:28-30) to the mother of Sisera, as she waited impatiently for the return of her son, and foreboded his death, whilst the prudent princesses who surrounded her sought to cheer her with the prospect of a rich arrival of booty.
افتح المصدر ↗This chapter contains the triumphal song which was composed and sung upon occasion of that glorious victory which Israel obtained over the forces of Jabin king of Canaan and the happy consequences of that victory. Probably it was usual then to publish poems upon such occasions, as now; but this only is preserved of all the poems of that age of the judges, because dictated by Deborah a prophetess, designed for a psalm of praise then, and a pattern of praise to after-ages, and it gives a great deal of light to the history of these times. I. It begins with praise to God (Jdg 5:2, Jdg 5:3). II. The substance of this song transmits the memory of this great achievement. 1. Comparing God's appearances for them on this occasion with his appearances to them on Mount Sinai (Jdg 5:4, Jdg 5:5). 2. Magnifying their deliverance from the consideration of the calamitous condition they had been in (Jdg 5:6-8). 3. Calling those to join in praise that shared in the benefits of the success (Jdg 5:9-13). 4. Reflecting honour upon those tribes that were forward and active in that war, and disgrace on those that declined the service (Jdg 5:14-19, Jdg 5:23). 5. Taking notice how God himself fought for them (Jdg 5:20-22). 6. Celebrating particularly the honour of Jael, that slew Sisera, on which head the song is very large (Jdg 5:24-30). It concludes with a prayer to God (Jdg 5:31).
افتح المصدر ↗الشواهد المتقابلة
مقاطع أخرى يربطها المجتمع بهذا المقطع أكثر من غيرها. انقر لتقرأها.
فَأَخَذَتْ يَاعِيلُ امْرَأَةُ حَابِرَ وَتَدَ الْخَيْمَةِ وَجَعَلَتِ الْمِيتَدَةَ فِي يَدِهَا، وَقَارَتْ إِلَيْهِ وَضَرَبَتِ الْوَتَدَ فِي صُدْغِهِ فَنَفَذَ إِلَى الأَرْضِ، وَهُوَ مُتَثَقِّلٌ فِي النَّوْمِ وَمُتْعَبٌ، فَمَاتَ.
فَأَتَتِ الْمَرْأَةُ إِلَى جَمِيعِ الشَّعْبِ بِحِكْمَتِهَا فَقَطَعُوا رَأْسَ شَبَعَ بْنِ بِكْرِي وَأَلْقَوْهُ إِلَى يُوآبَ، فَضَرَبَ بِالْبُوقِ فَانْصَرَفُوا عَنِ الْمَدِينَةِ كُلُّ وَاحِدٍ إِلَى خَيْمَتِهِ. وَأَمَّا يُوآبُ فَرَجَعَ إِلَى أُورُشَلِيمَ إِلَى الْمَلِكِ.