القضاة ٥:١٥

שׂרי, "my princes," does not furnish any appropriate meaning, as neither Deborah nor Barak was of the tribe of Issachar, and it is not stated anywhere that the Issacharites gathered round Deborah as their leaders. The reading שׂרי (stat. constr.), adopted by the old versions, must be taken as the correct one, and the introduction of the preposition בּ does not preclude this (compare בגּלבּע הרי, Sa2 1:21, and Ewald, 289, b.). עם, which is used to denote an outward equality, as in Sa1 17:42, and is substantially the same as the כּן which follows ("just as"), is construed without כּ in the first clause, as in Psa 48:6. בּעמק: into the valley of Jezreel, the plain of Kishon. בּרגליו שׁלּח, as in Job 18:8, to be sent off, i.e., incessantly impelled, through his feet; here it is applied to an irresistible force of enthusiasm for the battle. The nominative to שׁלּח is Issachar and Barak. 15b At the brooks of Reuben were great resolutions of heart. 16 Why remainest thou between the hurdles, To hear the piping of the flocks? At the brooks of Reuben were great projects of heart. 17 Gilead rests on the other side of the Jordan; And Dan ... why tarries he by ships? Asher sits on the shore of the sea, And by his bays he reposes. 18 Zebulun, a people that despises its soul even to death, And Naphtali upon the heights of the field. In this strophe Deborah first of all mentions the tribes which took no part in the conflict (Jdg 5:15-17), and then returns in Jdg 5:18 to the Zebulunites, who staked their life along with Naphtali for the deliverance of Israel from the yoke of the enemy. The enumeration of the tribes who remained at a distance from the conflict commences with Reuben (Jdg 5:15 and Jdg 5:16). In this tribe there did arise a lively sympathy with the national elevation. They…

This chapter contains the triumphal song which was composed and sung upon occasion of that glorious victory which Israel obtained over the forces of Jabin king of Canaan and the happy consequences of that victory. Probably it was usual then to publish poems upon such occasions, as now; but this only is preserved of all the poems of that age of the judges, because dictated by Deborah a prophetess, designed for a psalm of praise then, and a pattern of praise to after-ages, and it gives a great deal of light to the history of these times. I. It begins with praise to God (Jdg 5:2, Jdg 5:3). II. The substance of this song transmits the memory of this great achievement. 1. Comparing God's appearances for them on this occasion with his appearances to them on Mount Sinai (Jdg 5:4, Jdg 5:5). 2. Magnifying their deliverance from the consideration of the calamitous condition they had been in (Jdg 5:6-8). 3. Calling those to join in praise that shared in the benefits of the success (Jdg 5:9-13). 4. Reflecting honour upon those tribes that were forward and active in that war, and disgrace on those that declined the service (Jdg 5:14-19, Jdg 5:23). 5. Taking notice how God himself fought for them (Jdg 5:20-22). 6. Celebrating particularly the honour of Jael, that slew Sisera, on which head the song is very large (Jdg 5:24-30). It concludes with a prayer to God (Jdg 5:31).