الرؤيا ١٧:٣
تأمّل عميق بلغةٍ واضحة على هذه الآية. اقرأ الأصحاح
فَمَضَى بِي بِالرُّوحِ إِلَى بَرِّيَّةٍ، فَرَأَيْتُ امْرَأَةً جَالِسَةً عَلَى وَحْشٍ قِرْمِزِيٍّ مَمْلُوءٍ أَسْمَاءَ تَجْدِيفٍ، لَهُ سَبْعَةُ رُؤُوسٍ وَعَشَرَةُ قُرُونٍ.
التفاسير
مقتطفات جُمعت من تفاسير منشورة لترسيخ القراءة.
the wilderness--Contrast her in Rev 12:6, Rev 12:14, having a place in the wilderness-world, but not a home; a sojourner here, looking for the city to come. Now, on the contrary, she is contented to have her portion in this moral wilderness. upon a scarlet . . . beast--The same as in Rev 13:1, who there is described as here, "having seven heads and ten horns (therein betraying that he is representative of the dragon, Rev 12:3), and upon his heads names (so the oldest manuscripts read) of blasphemy"; compare also Rev 17:12-14, below, with Rev 19:19-20, and Rev 17:13-14, Rev 17:16. Rome, resting on the world power and ruling it by the claim of supremacy, is the chief, though not the exclusive, representative of this symbol. As the dragon is fiery-red, so the beast is blood-red in color; implying its blood-guiltiness, and also deep-dyed sin. The scarlet is also the symbol of kingly authority. full--all over; not merely "on his heads," as in Rev 13:1, for its opposition to God is now about to develop itself in all its intensity. Under the harlot's superintendence, the world power puts forth blasphemous pretensions worse than in pagan days. So the Pope is placed by the cardinals in God's temple on the altar to sit there, and the cardinals kiss the feet of the Pope. This ceremony is called in Romish writers "the adoration." [Historie de Clerge, Amsterd., 1716; and LETTENBURGH'S Notitia CuriÃ&brvbr RomanÃ&brvbr, 1683, p. 125; HEIDEGGER, Myst. Bab., 1, 511, 514, 537]; a papal coin [Numismata Pontificum, Paris, 1679, p. 5] has the blasphemous legend, "Quem creant, adorant." Kneeling and kissing are the worship meant by John's word nine times used in respect to the rival of God (Greek, "proskunein"). Abomination, too, is the scriptural term for an idol, or any creature worshipped…
افتح المصدر ↗This chapter contains another representation of those things that had been revealed before concerning the wickedness and ruin of antichrist. This antichrist had been before represented as a beast, and is now described as a great whore. And here, I. The apostle is invited to see this vile woman (Rev 17:1, Rev 17:2). II. He tells us what an appearance she made (Rev 17:3-6). III. The mystery of it is explained to him (Rev 17:7-12). And, IV. Her ruin foretold (Rev 17:13, etc.).
افتح المصدر ↗17:3-4 John is carried in the Spirit into the wilderness, his way of describing a visionary experience (see 1:10; 4:2). He sees a depiction of Rome’s moral corruption and excessive luxury (see 18:12-13, 16) that illustrates how such wealth can become an abomination to God. • The beast here is like the second figure in the evil trinity (see 13:1-4). • blasphemies against God: See 13:5-6. • purple and scarlet: Clothing in these two colors indicated royalty and carnality, respectively. • a gold goblet: See Jer 51:7.
افتح المصدر ↗الشواهد المتقابلة
مقاطع أخرى يربطها المجتمع بهذا المقطع أكثر من غيرها. انقر لتقرأها.
وَظَهَرَتْ آيَةٌ أُخْرَى فِي السَّمَاءِ: هُوَذَا تِنِّينٌ عَظِيمٌ أَحْمَرُ، لَهُ سَبْعَةُ رُؤُوسٍ وَعَشَرَةُ قُرُونٍ، وَعَلَى رُؤُوسِهِ سَبْعَةُ تِيجَانٍ.
وَالْمَرْأَةُ الَّتِي رَأَيْتَ هِيَ الْمَدِينَةُ الْعَظِيمَةُ الَّتِي لَهَا مُلْكٌ عَلَى مُلُوكِ الأَرْضِ».
وَالْمَرْأَةُ هَرَبَتْ إِلَى الْبَرِّيَّةِ، حَيْثُ لَهَا مَوْضِعٌ مُعَدٌّ مِنَ اللهِ لِكَيْ يَعُولُوهَا هُنَاكَ أَلْفًا وَمِئَتَيْنِ وَسِتِّينَ يَوْمًا.
وَذَهَبَ بِي بِالرُّوحِ إِلَى جَبَل عَظِيمٍ عَال، وَأَرَانِي الْمَدِينَةَ الْعَظِيمَةَ أُورُشَلِيمَ الْمُقَدَّسَةَ نَازِلَةً مِنَ السَّمَاءِ مِنْ عِنْدِ اللهِ،
وَيَتَكَلَّمُ بِكَلاَمٍ ضِدَّ الْعَلِيِّ وَيُبْلِي قِدِّيسِي الْعَلِيِّ، وَيَظُنُّ أَنَّهُ يُغَيِّرُ الأَوْقَاتَ وَالسُّنَّةَ، وَيُسَلَّمُونَ لِيَدِهِ إِلَى زَمَانٍ وَأَزْمِنَةٍ وَنِصْفِ زَمَانٍ.
وَعَنِ الْقُرُونِ الْعَشَرَةِ الَّتِي بِرَأْسِهِ، وَعَنِ الآخَرِ الَّذِي طَلَعَ فَسَقَطَتْ قُدَّامَهُ ثَلاَثَةٌ. وَهذَا الْقَرْنُ لَهُ عُيُونٌ وَفَمٌ مُتَكَلِّمٌ بِعَظَائِمَ وَمَنْظَرُهُ أَشَدُّ مِنْ رُفَقَائِهِ.
وَالْمَرْأَةُ كَانَتْ مُتَسَرْبِلَةً بِأُرْجُوانٍ وَقِرْمِزٍ، وَمُتَحَلِّيَةً بِذَهَبٍ وَحِجَارَةٍ كَرِيمَةٍ وَلُؤْلُؤٍ، وَمَعَهَا كَأْسٌ مِنْ ذَهَبٍ فِي يَدِهَا مَمْلُوَّةٌ رَجَاسَاتٍ وَنَجَاسَاتِ زِنَاهَا،
فَأُعْطِيَتِ الْمَرْأَةُ جَنَاحَيِ النَّسْرِ الْعَظِيمِ لِكَيْ تَطِيرَ إِلَى الْبَرِّيَّةِ إِلَى مَوْضِعِهَا، حَيْثُ تُعَالُ زَمَانًا وَزَمَانَيْنِ وَنِصْفَ زَمَانٍ، مِنْ وَجْهِ الْحَيَّةِ.
كُنْتُ مُتَأَمِّلاً بِالْقُرُونِ، وَإِذَا بِقَرْنٍ آخَرَ صَغِيرٍ طَلَعَ بَيْنَهَا، وَقُلِعَتْ ثَلاَثَةٌ مِنَ الْقُرُونِ الأُولَى مِنْ قُدَّامِهِ، وَإِذَا بِعُيُونٍ كَعُيُونِ الإِنْسَانِ فِي هذَا الْقَرْنِ، وَفَمٍ مُتَكَلِّمٍ بِعَظَائِمَ.
وَمَدَّ شِبْهَ يَدٍ وَأَخَذَنِي بِنَاصِيَةِ رَأْسِي، وَرَفَعَنِي رُوحٌ بَيْنَ الأَرْضِ وَالسَّمَاءِ، وَأَتَى بِي فِي رُؤَى اللهِ إِلَى أُورُشَلِيمَ، إِلَى مَدْخَلِ الْبَابِ الدَّاخِلِيِّ الْمُتَّجِهِ نَحْوَ الشِّمَالِ، حَيْثُ مَجْلِسُ تِمْثَالِ الْغَيْرَةِ، الْمُهَيِّجِ الْغَيْرَةِ.