إشعياء ٤٧:٢
تأمّل عميق بلغةٍ واضحة على هذه الآية. اقرأ الأصحاح
خُذِي الرَّحَى وَاطْحَنِي دَقِيقًا. اكْشِفِي نِقَابَكِ. شَمِّرِي الذَّيْلَ. اكْشِفِي السَّاقَ. اعْبُرِي الأَنْهَارَ.
التفاسير
مقتطفات جُمعت من تفاسير منشورة لترسيخ القراءة.
From the gods of Babylon the proclamation of judgment passes onto Babylon itself. "Come down, and sit in the dust, O virgin daughter Babel; sit on the ground without a throne, O Chaldaeans-daughter! For men no longer call thee delicate and voluptuous. Take the mill, and grind meal: throw back they veil, lift up the train, uncover the thigh, wade through streams. Let thy nakedness be uncovered, even let thy shame be seen; I shall take vengeance, and not spare men. Our Redeemer, Jehovah of hosts is His name, Holy One of Israel." This is the first strophe in the prophecy. As v. 36 clearly shows, what precedes is a penal sentence from Jehovah. Both בּת in relation to בּתוּלת (Isa 23:12; Isa 37:22), and בּבל and כּשׂדּים in relation to בּת, are appositional genitives; Babel and Chaldeans (כשׂדים as in Isa 48:20) are regarded as a woman, and that as one not yet dishonoured. The unconquered oppressor is threatened with degradation from her proud eminence into shameful humiliation; sitting on the ground is used in the same sense as in Isa 3:26. Hitherto men have called her, with envious admiration, rakkâh va‛ânuggâh (from Deu 28:56), mollis et delicata, as having carefully kept everything disagreeable at a distance, and revelled in nothing but luxury (compare ‛ōneg, Isa 13:22). Debauchery with its attendant rioting (Isa 14:11; Isa 25:5), and the Mylitta worship with its licensed prostitution (Herod. i. 199), were current there; but now all this was at an end. תוסיפי, according to the Masora, has only one pashta both here and in Isa 47:5, and so has the tone upon the last syllable, and accordingly metheg in the antepenult. Isaiah's artistic style may be readily perceived both in the three clauses of Isa 47:1 that are comparable to a long trumpet-blast (compare Isa 40:9 and I…
افتح المصدر ↗Infinite Wisdom could have ordered things so that Israel might have been released and yet Babylon unhurt; but if they will harden their hearts, and will not let the people go, they must thank themselves that their ruin is made to pave the way to Israel's release. That ruin is here, in this chapter, largely foretold, not to gratify a spirit of revenge in the people of God, who had been used barbarously by them, but to encourage their faith and hope concerning their own deliverance, and to be a type of the downfall of that great enemy of the New Testament church which, in the Revelation, goes under the name of "Babylon." In this chapter we have, I. The greatness of the ruin threatened, that Babylon should be brought down to the dust, and made completely miserable, should fall from the height of prosperity into the depth of adversity (Isa 47:1-5). II. The sins that provoked God to bring this ruin upon them. 1. Their cruelty to the people of God (Isa 47:6). 2. Their pride and carnal security (Isa 47:7-9). 3. Their confidence in themselves and contempt of God (Isa 47:10). 4. Their use of magic arts and their dependence upon enchantments and sorceries, which should be so far from standing them in any stead that they should but hasten their ruin (Isa 47:11-15).
افتح المصدر ↗اللغة الأصلية
الكلمات العبرية واليونانية وراء هذا المقطع، مع أرقام سترونغ — من openscriptures (CC BY-SA).
الشواهد المتقابلة
مقاطع أخرى يربطها المجتمع بهذا المقطع أكثر من غيرها. انقر لتقرأها.
اِثْنَتَانِ تَطْحَنَانِ عَلَى الرَّحَى، تُؤْخَذُ الْوَاحِدَةُ وَتُتْرَكُ الأُخْرَى.
فَأَخَذَهُ الْفِلِسْطِينِيُّونَ وَقَلَعُوا عَيْنَيْهِ، وَنَزَلُوا بِهِ إِلَى غَزَّةَ وَأَوْثَقُوهُ بِسَلاَسِلِ نُحَاسٍ. وَكَانَ يَطْحَنُ فِي بَيْتِ السِّجْنِ.
هكَذَا يَسُوقُ مَلِكُ أَشُّورَ سَبْيَ مِصْرَ وَجَلاَءَ كُوشَ، الْفِتْيَانَ وَالشُّيُوخَ، عُرَاةً وَحُفَاةً وَمَكْشُوفِي الأَسْتَاهِ خِزْيًا لِمِصْرَ.
فَيَمُوتُ كُلُّ بِكْرٍ فِي أَرْضِ مِصْرَ، مِنْ بِكْرِ فِرْعَوْنَ الْجَالِسِ عَلَى كُرْسِيِّهِ إِلَى بِكْرِ الْجَارِيَةِ الَّتِي خَلْفَ الرَّحَى، وَكُلُّ بِكْرِ بَهِيمَةٍ.
فَلْتَطْحَنِ امْرَأَتِي لآخَرَ، وَلْيَنْحَنِ عَلَيْهَا آخَرُونَ.
اِرْتَجِفْنَ أَيَّتُهَا الْمُطْمَئِنَّاتُ. ارْتَعِدْنَ أَيَّتُهَا الْوَاثِقَاتُ. تَجَرَّدْنَ وَتَعَرَّيْنَ وَتَنَطَّقْنَ عَلَى الأَحْقَاءِ
تَكُونُ اثْنَتَانِ تَطْحَنَانِ مَعًا، فَتُؤْخَذُ الْوَاحِدَةُ وَتُتْرَكُ الأُخْرَى.
لِئَلاَّ أُجَرِّدَهَا عُرْيَانَةً وَأَوْقِفَهَا كَيَوْمِ وِلاَدَتِهَا، وَأَجْعَلَهَا كَقَفْرٍ، وَأُصَيِّرَهَا كَأَرْضٍ يَابِسَةٍ، وَأُمِيتَهَا بِالْعَطَشِ.
وَقَالَتْ لِلْعَبْدِ: «مَنْ هذَا الرَّجُلُ الْمَاشِي فِي الْحَقْلِ لِلِقَائِنَا؟» فَقَالَ الْعَبْدُ: «هُوَ سَيِّدِي». فَأَخَذَتِ الْبُرْقُعَ وَتَغَطَّتْ.
اُعْبُرِي يَا سَاكِنَةَ شَافِيرَ عُرْيَانَةً وَخَجِلَةً. السَّاكِنَةُ فِي صَانَانَ لاَ تَخْرُجُ. نَوْحُ بَيْتِ هَأَيْصِلَ يَأْخُذُ عِنْدَكُمْ مَقَامَهُ،