نشيد الأنشاد ٧:١٢
تأمّل عميق بلغةٍ واضحة على هذه الآية. اقرأ الأصحاح
لِنُبَكِّرَنَّ إِلَى الْكُرُومِ، لِنَنْظُرَ: هَلْ أَزْهَرَ الْكَرْمُ؟ هَلْ تَفَتَّحَ الْقُعَالُ؟ هَلْ نَوَّرَ الرُّمَّانُ؟ هُنَالِكَ أُعْطِيكَ حُبِّي.
التفاسير
مقتطفات جُمعت من تفاسير منشورة لترسيخ القراءة.
A farther description of the bride, Sol 7:1-9. Her invitation to the bridegroom, Sol 7:10-13.
افتح المصدر ↗thy feet--rather, "thy goings" (Psa 17:5). Evident allusion to Isa 52:7 : "How beautiful . . . are the feet of him . . . that publisheth peace" (Shulamite, Sol 6:13). shoes--Sandals are richly jewelled in the East (Luk 15:22; Eph 6:15). She is evidently "on the mountains," whither she was wafted (Sol 6:12), above the daughters of Jerusalem, who therefore portray her feet first. daughter--of God the Father, with whom Jesus Christ is one (Mat 5:9), "children of (the) God" (of peace), equivalent to Shulamite (Psa 45:10-15; Co2 6:18), as well as bride of Jesus Christ. prince's--therefore princely herself, freely giving the word of life to others, not sparing her "feet," as in Sol 5:3; Exo 12:11. To act on the offensive is defensive to ourselves. joints--rather, "the rounding"; the full graceful curve of the hips in the female figure; like the rounding of a necklace (as the Hebrew for "jewels" means). Compare with the English Version, Eph 4:13-16; Col 2:19. Or, applying it to the girdle binding together the robes round the hips (Eph 6:14). cunning workman-- (Psa 139:14-16; Eph 2:10, Eph 2:22; Eph 5:29-30, Eph 5:32).
افتح المصدر ↗INTRODUCTION TO SONG OF SOLOMON 7 In this chapter Christ gives a fresh commendation of the beauty of his church, in a different order and method than before; beginning with her "feet", and so rising upwards to the "hair" of her head, and the roof of her mouth, Sol 7:1; And then the church asserts her interest in him, and his desire towards her, Sol 7:10; and invites him to go with her into the fields, villages, and vineyards, and offers various reasons, by which she urges him to comply with her invitation, Sol 7:11.
افتح المصدر ↗الشواهد المتقابلة
مقاطع أخرى يربطها المجتمع بهذا المقطع أكثر من غيرها. انقر لتقرأها.
نَزَلْتُ إِلَى جَنَّةِ الْجَوْزِ لأَنْظُرَ إِلَى خُضَرِ الْوَادِي، وَلأَنْظُرَ: هَلْ أَقْعَلَ الْكَرْمُ؟ هَلْ نَوَّرَ الرُّمَّانُ؟
اَلنِّعْمَةُ مَعَ جَمِيعِ الَّذِينَ يُحِبُّونَ رَبَّنَا يَسُوعَ الْمَسِيحَ فِي عَدَمِ فَسَادٍ. آمِينَ.
مَا أَجْمَلَكِ وَمَا أَحْلاَكِ أَيَّتُهَا الْحَبِيبَةُ بِاللَّذَّاتِ!
جَرِّبُوا أَنْفُسَكُمْ، هَلْ أَنْتُمْ فِي الإِيمَانِ؟ امْتَحِنُوا أَنْفُسَكُمْ. أَمْ لَسْتُمْ تَعْرِفُونَ أَنْفُسَكُمْ، أَنَّ يَسُوعَ الْمَسِيحَ هُوَ فِيكُمْ، إِنْ لَمْ تَكُونُوا مَرْفُوضِينَ؟
لأَنَّهُ هُنَاكَ اسْتَوَتِ الْكَرَاسِيُّ لِلْقَضَاءِ، كَرَاسِيُّ بَيْتِ دَاوُدَ.
وَأَيْضًا:«أَنَا أَكُونُ مُتَوَكِّلاً عَلَيْهِ». وَأَيْضًا:«هَا أَنَا وَالأَوْلاَدُ الَّذِينَ أَعْطَانِيهِمِ اللهُ».
اِسْتَيْقِظِي يَا رِيحَ الشَّمَالِ، وَتَعَالَيْ يَا رِيحَ الْجَنُوبِ! هَبِّي عَلَى جَنَّتِي فَتَقْطُرَ أَطْيَابُهَا. لِيَأْتِ حَبِيبِي إِلَى جَنَّتِهِ وَيَأْكُلْ ثَمَرَهُ النَّفِيسَ.
فَلْنَتَقَدَّمْ بِثِقَةٍ إِلَى عَرْشِ النِّعْمَةِ لِكَيْ نَنَالَ رَحْمَةً وَنَجِدَ نِعْمَةً عَوْنًا فِي حِينِهِ.
التِّينَةُ أَخْرَجَتْ فِجَّهَا، وَقُعَالُ الْكُرُومِ تُفِيحُ رَائِحَتَهَا. قُومِي يَا حَبِيبَتِي، يَا جَمِيلَتِي وَتَعَالَيْ.
وَلَيْسَ ذلِكَ فَقَطْ، بَلْ نَفْتَخِرُ أَيْضًا بِاللهِ، بِرَبِّنَا يَسُوعَ الْمَسِيحِ، الَّذِي نِلْنَا بِهِ الآنَ الْمُصَالَحَةَ.