المزامير ٩٤:١٦
تأمّل عميق بلغةٍ واضحة على هذه الآية. اقرأ الأصحاح
مَنْ يَقُومُ لِي عَلَى الْمُسِيئِينَ؟ مَنْ يَقِفُ لِي ضِدَّ فَعَلَةِ الإِثْمِ؟
التفاسير
مقتطفات جُمعت من تفاسير منشورة لترسيخ القراءة.
In the fifth strophe the poet celebrates the praise of the Lord as his sole, but also trusty and most consolatory help. The meaning of the question in Psa 94:16 is, that there is no man who would rise and succour him in the conflict with the evil-doers; ל as in Exo 14:25; Jdg 6:31, and עם (without נלחם or the like) in the sense of contra, as in Psa 55:19, cf. Ch2 20:6. God alone is his help. He alone has rescued him from death. היה is to be supplied to לוּלי: if He had not been, or: if He were not; and the apodosis is: then very little would have been wanting, then it would soon have come to this, that his soul would have taken up its abode, etc.; cf. on the construction Psa 119:92; Psa 124:1-5; Isa 1:9, and on כּמעט with the praet. Psa 73:2; Psa 119:87; Gen 26:10 (on the other hand with the fut. Psa 81:15). דּוּמה is, as in Psa 115:17, the silence of the grave and of Hades; here it is the object to שׁכנה, as in Psa 37:3, Pro 8:12, and frequently. When he appears to himself already as one that has fallen, God's mercy holds him up. And when thoughts, viz., sad and fearful thoughts, are multiplied within him, God's comforts delight him, viz., the encouragement of His word and the inward utterances of His Spirit. שׁרעפּים, as in Psa 139:23, is equivalent to שעפּים, from שׂעף, סעף, Arab. š‛b, to split, branch off (Psychology, S. 181; tr. p. 214). The plural form ישׁעשׁעוּ, like the plural of the imperative in Isa 29:9, has two Pathachs, the second of which is the "independentification" of the Chateph of ישׁעשׁע.
افتح المصدر ↗This psalm was penned when the church of God was under hatches, oppressed and persecuted; and it is an appeal to God, as the judge of heaven and earth, and an address to him, to appear for his people against his and their enemies. Two things this psalm speaks: - I. Conviction and terror to the persecutors (Psa 94:1-11), showing them their danger and folly, and arguing with them. II. Comfort and peace to the persecuted (Psa 94:12-23), assuring them, both from God's promise and from the psalmist's own experience, that their troubles would end well, and God would, in due time, appear to their joy and the confusion of those who set themselves against them. In singing this psalm we must look abroad upon the pride of oppressors with a holy indignation, and the tears of the oppressed with a holy compassion; but, at the same time, look upwards to the righteous Judge with an entire satisfaction, and look forward, to the end of all these things, with a pleasing hope.
افتح المصدر ↗94:16-23 The psalmist’s prayer resumes (see 94:1-7) with a desperate cry for the Lord’s justice; it concludes with the hopeful expectation that evil will end. 94:16 Only God has the power to stand up to the wicked (see 2:2).
افتح المصدر ↗اللغة الأصلية
الكلمات العبرية واليونانية وراء هذا المقطع، مع أرقام سترونغ — من openscriptures (CC BY-SA).
الشواهد المتقابلة
مقاطع أخرى يربطها المجتمع بهذا المقطع أكثر من غيرها. انقر لتقرأها.
اِلْعَنُوا مِيرُوزَ قَالَ مَلاَكُ الرَّبِّ. اِلْعَنُوا سَاكِنِيهَا لَعْنًا، لأَنَّهُمْ لَمْ يَأْتُوا لِمَعُونَةِ الرَّبِّ، مَعُونَةِ الرَّبِّ بَيْنَ الْجَبَابِرَةِ.
فَنَحْنُ يَنْبَغِي لَنَا أَنْ نَقْبَلَ أَمْثَالَ هؤُلاَءِ، لِكَيْ نَكُونَ عَامِلِينَ مَعَهُمْ بِالْحَقِّ.
نَجِّنِي مِنْ فَاعِلِي الإِثْمِ، وَمِنْ رِجَالِ الدِّمَاءِ خَلِّصْنِي،
فَشَاوَرْتُ قَلْبِي فِيَّ، وَبَكَّتُّ الْعُظَمَاءَ وَالْوُلاَةَ، وَقُلْتُ لَهُمْ: «إِنَّكُمْ تَأْخُذُونَ الرِّبَا كُلُّ وَاحِدٍ مِنْ أَخِيهِ». وَأَقَمْتُ عَلَيْهِمْ جَمَاعَةً عَظِيمَةً.
وَعِنْدَ ارْتِحَالِ التَّابُوتِ كَانَ مُوسَى يَقُولُ: «قُمْ يَا رَبُّ، فَلْتَتَبَدَّدْ أَعْدَاؤُكَ وَيَهْرُبْ مُبْغِضُوكَ مِنْ أَمَامِكَ».
وَطَلَبْتُ مِنْ بَيْنِهِمْ رَجُلاً يَبْنِي جِدَارًا وَيَقِفُ فِي الثَّغْرِ أَمَامِي عَنِ الأَرْضِ لِكَيْلاَ أَخْرِبَهَا، فَلَمْ أَجِدْ.
قُمْ يَا رَبُّ. تَقَدَّمْهُ. اِصْرَعْهُ. نَجِّ نَفْسِي مِنَ الشِّرِّيرِ بِسَيْفِكَ،
فَرَفَعَ وَجْهَهُ نَحْوَ الْكَوَّةِ وَقَالَ: «مَنْ مَعِي؟ مَنْ؟» فَأَشْرَفَ عَلَيْهِ اثْنَانِ أَوْ ثَلاَثَةٌ مِنَ الْخِصْيَانِ.
« طُوفُوا فِي شَوَارِعِ أُورُشَلِيمَ وَانْظُرُوا، وَاعْرِفُوا وَفَتِّشُوا فِي سَاحَاتِهَا، هَلْ تَجِدُونَ إِنْسَانًا أَوْ يُوجَدُ عَامِلٌ بِالْعَدْلِ طَالِبُ الْحَقِّ، فَأَصْفَحَ عَنْهَا؟
ثُمَّ انْطَلَقَ مِنْ هُنَاكَ فَصَادَفَ يَهُونَادَابَ بْنَ رَكَابٍ يُلاَقِيهِ، فَبَارَكَهُ وَقَالَ لَهُ: «هَلْ قَلْبُكَ مُسْتَقِيمٌ نَظِيرُ قَلْبِي مَعَ قَلْبِكَ؟» فَقَالَ يَهُونَادَابُ: «نَعَمْ وَنَعَمْ». «هَاتِ يَدَكَ». فَأَعْطَاهُ يَدَهُ، فَأَصْعَدَهُ إِلَيْهِ إِلَى الْمَرْكَبَةِ.