المزامير ٧٣:٧

The reading עונמו, ἡ ἀδικία αὐτῶν (lxx (cf. in Zac 5:6 the עינם, which is rendered by the lxx in exactly the same way), in favour of which Hitzig, Bצttcher, and Olshausen decide, "their iniquity presses forth out of a fat heart, out of a fat inward part," is favoured by Psa 17:10, where חלב obtains just this signification by combination with סגר, which it would obtain here as being the place whence sin issues; cf. ἐξέρχεσθαι ἐκ τῆς καρδίας, Mat 15:18.; and the parallelism decides its superiority. Nevertheless the traditional reading also gives a suitable sense; not (since the fat tends to make the eyes appear to be deeper in) "their eyes come forward prae adipe," but, "they stare forth ex adipe, out of the fat of their bloated visage," מחלב being equivalent to מחלב פּניהם, Job 15:27. This is a feature of the character faithfully drawn after nature. Further, just as in general τὸ περίσσευμα τῆς καρδίας wells over in the gestures and language (Mat 12:34), so is it also with their "views or images of the heart" (from שׂכה, like שׂכוי, the cock with its gift of divination as speculator): the illusions of their unbounded self-confidence come forth outwardly, they overflow after the manner of a river, (Note: On the other hand, Redslob (Deutsch. Morgenlהnd. Zeitschr. 1860, S. 675) interprets it thus: they run over the fencings of the heart, from שׂכה in the signification to put or stick through, to stick into (infigere), by comparing קירות לבּי, Jer 4:19, and ἕρκος ὀδόντων. He regards משׂכית sdrag and mosaic as one word, just as the Italian ricamare (to stitch) and רקם is one word. Certainly the root זך, Arab. zk, ḏk, has the primary notion of piercing (cf. זכר), and also the notion of purity, which it obtains, proceeds from the idea of the brilliance which…