القضاة ٥
تأمّل عميق بلغةٍ واضحة على الأصحاح كله. اقرأ الأصحاح
التفاسير
مقتطفات جُمعت من تفاسير منشورة لترسيخ القراءة.
The historical introduction ("Then sang Deborah and Barak the son of Abinoam on that day, saying") takes the place of a heading, and does not mean that the song of Deborah and Barak which follows was composed by them jointly, but simply that it was sung by them together, in commemoration of the victory. The poetess or writer of the song, according to Jdg 5:3, Jdg 5:7, and Jdg 5:12, was Deborah. The song itself opens with a summons to praise the Lord for the willing and joyful rising up of His people.
افتح المصدر ↗The former chapter let us know what great things God had done for Israel; in this we have the thankful returns they made to God, that all ages of the church might learn that work of heaven to praise God. I. God is praised by a song, which is, 1. A very natural expression of rejoicing. Is any merry? Let him sing; and holy joy is the very soul and root of praise and thanksgiving. God is pleased to reckon himself glorified by our joy in him, and in his wondrous works. His servants' joy is his delight, and their sons are melody to him. 2. A very proper expedient for spreading the knowledge and perpetuating the remembrance of great events. Neighbours would learn this song one of another and children of their parents; and by that means those who had not books, or could not read, yet would be made acquainted with these works of God; and one generation would thus praise God's works to another, and declare his mighty acts, Psa 145:4, etc. II. Deborah herself penned this song, as appears by Jdg 5:7 : Till I Deborah arose. And the first words should be rendered, Then she sang, even Deborah. 1. She used her gifts as a prophetess in composing the song, and the strain throughout is very fine and lofty, the images are lively, the expressions elegant, and an admirable mixture there is in it of sweetness and majesty. No poetry is comparable to the sacred poetry. And, 2. We may supposed she used her power as a princess, in obliging the conquering army of Israel to learn and sing this son. She expects not that they should, by their poems, celebrate her praises and magnify here, but requires that in this poem they should join with her in celebrating God's praises and magnifying him. She had been the first wheel in the action, and now is so in the thanksgiving. III. It was sung on that day,…
افتح المصدر ↗اللغة الأصلية
الكلمات العبرية واليونانية وراء هذا المقطع، مع أرقام سترونغ — من openscriptures (CC BY-SA).
الشواهد المتقابلة
مقاطع أخرى يربطها المجتمع بهذا المقطع أكثر من غيرها. انقر لتقرأها.
حِينَئِذٍ رَنَّمَ مُوسَى وَبَنُو إِسْرَائِيلَ هذِهِ التَّسْبِيحَةَ لِلرَّبِّ وَقَالُوا: «أُرَنِّمُ لِلرَّبِّ فَإِنَّهُ قَدْ تَعَظَّمَ. الْفَرَسَ وَرَاكِبَهُ طَرَحَهُمَا فِي الْبَحْرِ.
أُحِبُّكَ يَا رَبُّ، يَا قُوَّتِي.
فَقَالَتْ مَرْيَمُ:«تُعَظِّمُ نَفْسِي الرَّبَّ،
فَصَلَّتْ حَنَّةُ وَقَالَتْ: «فَرِحَ قَلْبِي بِالرَّبِّ. ارْتَفَعَ قَرْنِي بِالرَّبِّ. اتَّسَعَ فَمِي عَلَى أَعْدَائِي، لأَنِّي قَدِ ابْتَهَجْتُ بِخَلاَصِكَ.
يَا رَبُّ، أَنْتَ إِلهِي أُعَظِّمُكَ. أَحْمَدُ اسْمَكَ لأَنَّكَ صَنَعْتَ عَجَبًا. مَقَاصِدُكَ مُنْذُ الْقَدِيمِ أَمَانَةٌ وَصِدْقٌ.
وَلَمَّا اسْتَشَارَ الشَّعْبَ أَقَامَ مُغَنِّينَ لِلرَّبِّ وَمُسَبِّحِينَ فِي زِينَةٍ مُقَدَّسَةٍ عِنْدَ خُرُوجِهِمْ أَمَامَ الْمُتَجَرِّدِينَ وَقَائِلِينَ: «احْمَدُوا الرَّبَّ لأَنَّ إِلَى الأَبَدِ رَحْمَتَهُ».
عِنْدَمَا تَرَنَّمَتْ كَوَاكِبُ الصُّبْحِ مَعًا، وَهَتَفَ جَمِيعُ بَنِي اللهِ؟
ثُمَّ ارْتَدَّ كُلُّ رِجَالِ يَهُوذَا وَأُورُشَلِيمَ وَيَهُوشَافَاطُ بِرَأْسِهِمْ لِيَرْجِعُوا إِلَى أُورُشَلِيمَ بِفَرَحٍ، لأَنَّ الرَّبَّ فَرَّحَهُمْ عَلَى أَعْدَائِهِمْ.
حِينَئِذٍ تَرَنَّمَ إِسْرَائِيلُ بِهذَا النَّشِيدِ: «اِصْعَدِي أَيَّتُهَا الْبِئْرُ! أَجِيبُوا لَهَا.
وَأَجَابَتْهُمْ مَرْيَمُ: «رَنِّمُوا لِلرَّبِّ فَإِنَّهُ قَدْ تَعَظَّمَ. الْفَرَسَ وَرَاكِبَهُ طَرَحَهُمَا فِي الْبَحْرِ».